Architecting Land is part of a series of films created since 2016 as a collaboration between Brandlhuber+, Olaf Grawert and artist and director Christopher Roth. The latest film continues the work of the earlier films, 0187.2 Legislating Architecture, 0199 The Property Drama, and 0213 Architecting after Politics. Once again, it raises one of the most important questions of our time: Who architects?
The film takes examples, local and global, and presents alternative architectural models in a cinematic framework. The narrative is based on C. G. Jung and Wolfgang Pauli’s theory of the correspondence of meaning, which in turn refers to the mathematical quaternion theory, in which two complementary pairs of terms are opposed via the graphic element of the cross. The concepts follow the principle of synchronicity: they are contrary to each other, but nonetheless condition each other. The quaternion becomes an instrument through which the pressing issues of our timesuch as land scarcity, ownership and accessibility, community and common good, along with models of governance in the post-political age-can be explored and made tangible. Concepts such as public/private, homogeneity/heterogeneity, fiction/reality, city/country, and so on, coalesce with stories of people who are acting in precisely these thematic contexts, cases, and projects. The spectrum ranges from the politicization of architects to the question of democracy or freedom, and finally on to a new understanding of responsibility via the question of agency.
Today, in 2020, the public sector’s loss of power and dwindling influence on the design of our built environment can be seen across the world. Private sector actors are increasingly driving the pressure for growth and optimization of space under the free market paradigm. Space is a product, and citizens become users-on both municipal and global-political scales of city and country. Public space is conceived and understood entrepreneurially, and the upshot is the restricted accessibility of public spaces. The commercialization of our coexistence attains its apogee in the planning strategies and urban visions of global technology companies that see our environment as the capital for their individual economic success. In the face of these new realities, we need new tools, rules, and laws if we are to understand these developments, describe them, and bring them under control.
The film was produced exclusively for the exhibition urbainable–stadthaltig at Akademie der Künste in Berlin.